A evening moment with the 33 1/2 RPM Sunset Bufo Toads in the process of colonizing the ICA Boston. apparently they have adopted a record skip associated with the “Record” show there.
Posts Tagged ‘bufotinine’
It seems that the Sex and Death Colony hatched quietly in the Sydney Botanical Gardens has gotten out of control and is spreading to a series of smaller Australian towns (d/lux MEDIA ARTS). Colonies seem to be appearing westward and southward with no apparent rhyme or reason. My colleague there, Warren Armstrong, (the organizer of (Un)seen Sculptures), is vigorously monitoring the situation and calls weekly on Saturday nights to let me know the conditions. It’s uncanny that this subspecies should spread in a country that has been plagued by its ancestor. This is I suppose, a similar sort of infestation, with all good intentions of those of us at VF, looking for a means to free internet living. Warren has ambitiously set up a site to track what he calls “Bufo’s Progress“.
Reports are surfacing of a new Bufo Virtanus outbreak in Sydney, Austrailia, developing in the area of the Royal Botanic Gardens Glass Pyramid. The subspecies has been named the Sex and Death Bufo Colony, because it has developed visual traits of the orchid exhibition created in 2005. In addition to sex and death, there were three themes identified during that exhibition; “Seduction”, “Cooperation” and “Deception.” We have heard that the toads change different textural colors; pink, white, red and black. These are the colorations of some of the orchids in the preceding exhibition. They seduce with pink, cooperate or copulate with red and white, and finally deceive and die with a display of black. We have also heard unconfirmed reports that possible other colonies spreading southward. This will probably not be confirmed till early April during the Surry Hills Festival, with its event (Un)Seen Sculptures curated by Warren Armstrong.
As we have previously noted, the prototype for Bufo Virtanus is the bufo toad, the species known in Australia as the Cane Toad, which was introduced to Queensland in 1935 to combat the Cane Beetle. Unfortunately this bio-attack never solved the beetle problem and the giant species of cane toads instead became an uncontrollable infestation. in this case we might be dealing with that kind of virtual plague, with the toads as harbingers of a plethora imagery and information leaking, cascading into the physical landscape.
We were up at the very beautiful Diller Scofidio designed ICA Boston only to find a peculiar giant bufo virtanus, an apparent new subspecies of blender bufos taking on attributes of the 2 upcoming shows- Catherine Opie and The Record. We can only call this “33 1/2 RPM Sunset Bufo.” (to part of Manifest.AR at the ICA, Boston, for Cyberarts, opening April 22nd)
Late in November, 2010, the MoMA Bufo Virtanus specimen conjoined with the MoMA exhibition, “Abstract Expressionist New York,” and seemed to have multiplied and mutated into what has been named the Bufo Virtanus Heroicus Sublimis subspecies, taking its name from the famous Barnett Newman painting exhibited there.
During the Anselm Kiefer exhibition entitled, “Next Year in Jerusalem” in December of 2010, researchers at VF Labs discovered that the subspecies originating from the colony at MoMA, had spread to the Gagosian Gallery in Chelsea, NY. I went there myself to see the spectacle. This subspecies is oozing with VF betaAR. It is not yet known what habitats the subspecies gravitates towards, other than heroic or sublime artworks which certainly would include those of the Anselm Kiefer exhibition.